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eBook Puppetry and Folk Dramas for Non-Formal Education ePub

eBook Puppetry and Folk Dramas for Non-Formal Education ePub

by Anupama Shah

  • ISBN: 8120714512
  • Category: Schools and Teaching
  • Subcategory: Education
  • Author: Anupama Shah
  • Language: English
  • Publisher: Sterling Pub Private Ltd (September 1, 1992)
  • ePub book: 1114 kb
  • Fb2 book: 1643 kb
  • Other: lit lrf txt docx
  • Rating: 4.6
  • Votes: 633

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Puppetry and folk dramas for non-formal education. Toward an Aesthetics of the Puppet: Puppetry as a Theatrical Art. Steve Tillis.

Shah, Anupama (1992) Puppetry and Folk Dramas for Non-Formal Education. Sims, Judy (1978) Puppets for Dreaming and Scheming: A Puppet Source Book Walnut Creek, California: Early Stages Press, Inc. Shershow, Scott Cutler (1995) Puppets and 'Popular' Culture Cornell University Press. Cloth ISBN 0-8014-2776-2 Paper ISBN 0-8014-8060-4. Simmen, Rene (1975) The World of Puppets New York: Thomas Y. Crowell Company. Sinclair, Anita (1995) The Puppetry Handbook Australia: Richard Lee.

Non-formal education qualities are discovered when the received methodology does not require learner participation, diminishing the contacts among instructor and learner and most exercises happen outside the school, for example, home reading and desk work. Acquiring proper knowledge from educational institutions like school, college & university.

Non-formal education (NFE) programmes involve literacy and numerical programmes that aim at training people .

Non-formal education (NFE) programmes involve literacy and numerical programmes that aim at training people to read and write. Gaining such basic literacy skills enables a person to use the reading, writing and calculation to develop the self and the community as a whole.

Puppetry is a form of theatre or performance that involves the manipulation of puppets – inanimate objects, often resembling some type of human or animal figure, that are animated or manipulated by a human called a puppeteer

Puppetry is a form of theatre or performance that involves the manipulation of puppets – inanimate objects, often resembling some type of human or animal figure, that are animated or manipulated by a human called a puppeteer. Such a performance is also known as a puppet production. The script for a puppet production is called a puppet play

In traditional glove puppetry often one puppeteer will operate two puppets at a time out of a cast of several.

In traditional glove puppetry often one puppeteer will operate two puppets at a time out of a cast of several. Much work is produced without any speech at all with all the emphasis on movement. The relationship between the puppeteer and the puppet-maker is similar to that between an actor and a playwright, in cases where a puppet-maker designs a puppet for a puppeteer. Very often, though, the puppeteer assumes the joint roles of puppet-maker, director, designer, writer and performer.

On puppetry, folk drama, street play, and role play; history and theoretical values and practical use of puppetry as an educational aid.