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eBook Framing the Fifties: Cinema in a Divided Germany (FILM EUROPA: German Cinema in an International Context) ePub

eBook Framing the Fifties: Cinema in a Divided Germany (FILM EUROPA: German Cinema in an International Context) ePub

by John Davidson,Sabine Hake

  • ISBN: 1845452046
  • Category: Movies
  • Subcategory: Entertainment
  • Author: John Davidson,Sabine Hake
  • Language: English
  • Publisher: Berghahn Books; 1 edition (July 1, 2007)
  • Pages: 260
  • ePub book: 1151 kb
  • Fb2 book: 1658 kb
  • Other: lrf docx azw mbr
  • Rating: 4.6
  • Votes: 256

Description

John Davidson, Sabine Hake.

John Davidson, Sabine Hake. Framing the Fifties: Cinema in a Divided Germany. New York: Berghahn Books, 2007. Popular Cinema and Cultural Studies. As an anthology, it achieves a productive collective mix of historical context and film analysis, though one wishes that more individual pieces were as successful at striking such a balance. Berghahn Books, 1 Tem 2007 - 260 sayfa. The demise of the New German Cinema and the return of popular cinema since the 1990s have led to a renewed interest in the postwar years and the complicated relationship between East and West German cinema in particular. A survey of the 1950s, as offered here for the first time, is therefore long overdue. Moving beyond the contempt for "Papa's Kino" and the nostalgia for the fifties found in much of the existing literature, this anthology explores new uncharted territories, traces hidden connections, discovers unknown treasures, and challenges conventional interpretations.

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Bibliographic Details. Title: Framing the Fifties: Cinema in a Divided. Publisher: Berghahn Books Publication Date: 2007 Binding: Hardcover Book Condition: Good. 1. Framing the Fifties: Cinema in a Divided Germany (FILM EUROPA: German Cinema in an International Context). Sabine Hake, John Davidson. Published by Berghahn Books (2007).

Framing the Fifties book. Michelle rated it liked it Jun 13, 2014. dreamer of art marked it as to-read Nov 27, 2016.

John E. Davidson, Sabine Hake. His Deterritorializing the New German Cinema appeared in 1999, and he has published numerous articles on German film as well as political discourses and literary figures in cinema more generally. Sabine Hake is the Texas Chair of German Literature and Culture in the Department of Germanic Studies at the University of Texas at Austin.

Academic journal article German Quarterly

Academic journal article German Quarterly. Academic journal article German Quarterly. In her introduction to Framing the Fifties: Cinema in a Divided Germany, Sabine Hake refers to cinema of the decade as "the last terra incognita of German film history" (1). While it is certainly true that this territory has not been mapped to the same extent as that of Weimar film or the "New German Cinema" of the 1970s and early. 1980s, this book is part of a recent wave of excellent treatments of Adenauer-era cinema.

Film Europa ; v. 10). Includes bibliographical references and index.

The film demonstrates improvements made in East Germany in the late 1940s, including land reform and steel . a b c d Davidson, John; Hake, Sabine (15 July 2007). p. 124. ISBN 978-0-85745-541-3.

The film demonstrates improvements made in East Germany in the late 1940s, including land reform and steel industry developments, the founding of the Socialist Unity Party, the expropriation of war criminals and the first Five-year plan. Simultaneously it is a scathing critique of western involvement in Western Germany in the post-war years, believing that it would lead to economic. e Beiträge (in German).

The demise of the New German Cinema and the return of popular cinema since the 1990s have led to a renewed interest in the postwar years and the complicated relationship between East and West German cinema in particular. A survey of the 1950s, as offered here for the first time, is therefore long overdue. Moving beyond the contempt for "Papa's Kino" and the nostalgia for the fifties found in much of the existing literature, this anthology explores new uncharted territories, traces hidden connections, discovers unknown treasures, and challenges conventional interpretations. Informed by cultural studies, gender studies, and the study of popular cinema, this anthology offers a more complete account by focusing on popular genres, famous stars, and dominant practices, by taking into account the complicated relationships between East vs. West German, German vs. European, and European vs. American cinemas; and by paying close attention to the economic and political conditions of film production and reception during this little-known period of German film history.