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Faust is considered by many to be Goethe's magnum opus and the greatest work of German literature.
Faust II: Der Tragödie zweiter Teil in fünf Akten (Große. Ships from and sold by riviera america.
Goethe's Faust is rhymed in the original, and English translations that reproduce this are much more .
Goethe's Faust is rhymed in the original, and English translations that reproduce this are much more pleasurable and quotable. What I did was read Atkins to understand what is going on and then read Arndt or Kaufmann to really enjoy it. Let me qualify that by saying that Atkins (like the Hollanders with Dante) achieves his own style of beauty with his translation. Goethe was a very enlightened, mystical person and Faust's verses especially reflect this.
by. Goethe, Johann Wolfgang von, 1749-1832. New York : Arden Book C. [19
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автор: Иоганн Вольфганг фон Гёте (Johann Wolfgang von Goethe). The Project Gutenberg EBook of Faust, by Johann Wolfgang Von Goethe. This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. Читать на английском и переводить текст. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at ww. utenberg. Author: Johann Wolfgang Von Goethe. Release Date: January 4, 2005.
Faust II (Paperback). Published 1987 by Hamburger Lesehefte Verlag. Paperback, 232 pages. Author(s): Johann Wolfgang von Goethe. ISBN: 3872911694 (ISBN13: 9783872911698).
Johann Wolfgang von Goethe (IPA: ˈgøːtə (Goethe Society pronunciation) .
Johann Wolfgang von Goethe (IPA: ˈgøːtə (Goethe Society pronunciation)), born Johann Wolfgang Goethe (28 August 1749–22 March 1832) was a German polymath: he was a painter, novelist, dramatist, poet, humanist, scientist, philosopher, and for ten years chief minister of state at Weimar. What set Goethe’s book apart from other such novels was its expression of unbridled longing for a joy beyond possibility, its sense of defiant rebellion against authority, and, above all, its predominant es that pointed the way toward the Romantic movement.
It stands on its own dramatic feet without Faust II and is frequently performed, even though it leaves the hero’s destiny and the outcome of the wager in abeyance. At the end of our play, one sees Gretchen lying on her prison pallet uttering, Ophelia-like, deranged shreds of truth that pierce Faust’s inmost being.
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