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eBook A World of Love (Penguin Twentieth Century Classics) ePub

eBook A World of Love (Penguin Twentieth Century Classics) ePub

by Elizabeth Bowen

  • ISBN: 0140182969
  • Category: Contemporary
  • Subcategory: Literature
  • Author: Elizabeth Bowen
  • Language: English
  • Publisher: Penguin Books Ltd (December 2, 1993)
  • Pages: 160
  • ePub book: 1772 kb
  • Fb2 book: 1175 kb
  • Other: lit azw mbr mobi
  • Rating: 4.9
  • Votes: 734


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Penguin twentieth-century classics: The present and the past by Ivy Great Value. Good)-The Fixer (Penguin Twentieth Century Classics) (Paperback)-Malamud, Berna. Elizabeth Bowen was born in Dublin in 1899, the only child of an Irish lawyer and land-owner. She travelled a great deal, dividing most of her time between London and Bowen's Court, the family house in County Cork which she inherited. Her first book, a collection of shorts stories, Encounters, was published in 1923. The Hotel (1926) was her first novel. This is a gently written book with a period feel to it. Not a lot happens but characters are well drawn and develop nicely.

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About A World of Love. In a writing career that spanned the 1920s to the 1960s, Anglo-Irish author Elizabeth Bowen created a rich and nuanced body of work in which she enlarged the comedy of manners with her own stunning brand of emotional and psychological depth. In A World of Love, an uneasy group of relations are living under one roof at Montefort, a decaying manor in the Irish countryside. When twenty-year-old Jane finds in the attic a packet of love letters written years ago by Guy, her mother’s one-time fiance who died in World War I, the discovery has explosive repercussions.

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Published by Penguin Classics, 1994. Condition: Good Soft cover. Slowly exposing the apprehensions of the children and the reasons for their presence in the house, Elizabeth Bowen releases all her psychological insight, her charmed prose and unerring feel for atmosphere into a masterpiece of delicacy and restraint. From the Inside Flap: When eleven-year-old Henrietta arrives at the Fishers' well-appointed house in Paris, she is prepared to spend her day between trains looked after by an old friend of her grandmother's

Elizabeth Bowen, CBE (/ˈboʊən/; 7 June 1899 – 22 February 1973) was an Irish- British novelist and short story writer, notable for some of the best fiction about life in wartime London.

Elizabeth Bowen, CBE (/ˈboʊən/; 7 June 1899 – 22 February 1973) was an Irish- British novelist and short story writer, notable for some of the best fiction about life in wartime London. Elizabeth Dorothea Cole Bowen was born on 7 June 1899 at 15 Herbert Place in Dublin and baptised in the nearby St Stephen's Church on Upper Mount Street

A World Of Love (Vintage Classics). Published June 11th 2015 by Vintage Digital. Published December 1st 1993 by Penguin Books Ltd. Penguin Twentieth-Century Classics, Paperback, 160 pages. Author(s): Elizabeth Bowen.

A World Of Love (Vintage Classics). ISBN: 0140182969 (ISBN13: 9780140182965).


Mr.Savik Mr.Savik
I think that this book is about waiting and forgetting to live. The principal characters in this novel have suffered a great loss in the death of Guy, a powerful man in their lives, and since his death, they have all been waiting for him, as though they have not been able to accept his passing. With the death of Guy, they lost their sense of "always". They lost their forevers, as Bowen writes. And so, the story is about how they regain that sense of possibility, and how they stop "waiting for Godot", so to speak, although in a much less mystical or mystified sense. A World of Love is about learning to live again, and about regaining hope and moving on, because it's never too late, not even if 20 years pass you by.

I am in full disagreement with anyone who gave this book a low rating. Bowen can be a bit beyond modern readers. She is really a writer's writer. Her subject matter is the inner life of her characters, and so you find brilliant passages of prose that dramatize the inner workings these characters: all every bit as tense and suspenseful as a more externalized drama. Bowen was a mistress of the primitive power plot, in which the predicament or situation of the character drives the story. I saw a bit of that here in this work.

Of all her novels that I've read so far, A World of Love has to be the most hopeful. I kept thinking of The Enchanted April, by Elizabeth von Arnim, while I read this book. In both novels you have a cast of characters living in an old castle that has seen better days. In both, the characters are waiting for the same something, to regain their sense of expansiveness and possibility, their lost hopes. And in both novels, the characters do work through enough personal baggage to gain some insights into their souls and their predicaments, and come out the better for it in the end. Just like The Enchanted April, A World of Love has some surprises in the end that seem to hint at the hand of God at work, or at something larger and beyond the characters, perhaps the force of love itself. I won't give away what it is, but I will say that I find this type of novel very important. I don't subscribe to the modern hypothesis that happiness is inconsequential fluff, and that misery and pain are "more real". Truly, happiness and hope are more important and necessary to life. For that reason, works that treat themes of happiness and hope rise to the top of my list.
Centrizius Centrizius
"Life works to dispossess the dead, to dislodge and oust them. Their places fill themselves up; later people come in; all the room is wanted. Feeling alters its course, is drawn elsewhere or seeks renewal from other sources. When of love there is not enough to go round, inevitably it is the dead who must go without." Beautiful writing, as always from Elizabeth Bowen, though perhaps a little too delicately manicured, too conscious of Virginia Woolf (there is a tribute later to the peal of Big Ben that galvanizes Mrs. Dalloway). And a true sentiment, you would think -- except that this relatively late novel (1955) goes out of its way to disprove it. Returning to something like the setting of her early novel THE LAST SEPTEMBER, an Anglo-Irish country house in Ireland called Montefort, Bowen peoples it with five women, one man, and a ghost. The women are: Antonia, the mostly absent owner; Lilia, the year-round inhabitant; Jane (20) and Maud (10), Lilia's daughters; and Katie, the maid. The man is Fred Danby, Lilia's husband. The ghost is Antonia's cousin Guy, Montefort's former owner, who was engaged to Lilia before being killed in the First World War. We are now sometime in the early 1950s, and the dead Guy refuses to be ousted from his property.

No, it is not really a ghost story, although at one time and another in the three-day duration of the novel, each of the women imagines that they see him. The trigger is a bundle of love letters found by Jane in an old trunk. Clearly they were written by Guy; it is less clear to whom. But their very presence provokes a crisis in each of the older women, and catalyzes Jane's self-awareness on the brink of womanhood. Jane is an especially lovely character who illuminates every scene she is in; she is beautifully contrasted with her sister Maud, an obsessive little girl preoccupied with the Old Testament. I can't say that Antonia or Lilia are either that attractive or that amusing, though they become more likable as the book goes on. Fred, the highly competent farmer, is out of his depth amid the female undercurrents, though he is pleasant and well-meaning. The impoverished gentility at Montefort is contrasted, largely for comic effect, with the high life at the nearby castle, occupied by Lady Latterly and her various hangers-on.

Beautiful as it is, and quintessentially Bowen, this short novel is not one of the author's greatest works. Mainly because it is too artificial. The set-up between Antonia, Lilia, and Fred depends upon a blatant piece of social engineering that you simply have to accept and move on. As you must accept the way Bowen spins out the letters, glancing at one, hiding them again, passing the packet with agonizing slowness from person to person, but never letting you read them. Amusing though they are, the interactions between Jane and Lady Latterly seem as arbitrary as the whims of the hostess itself. And the ending, though lovely, comes literally out of thin air. So I would only recommend this to die-hard Bowen fans. But we know who we are, and we cannot get enough of her!
Envias Envias
Tedious, Two:

I'd like to see this novel published in Reader's Digest condensed books as it badly wants editing. As it is, I agree with another reviewer that the writing is tedious, at least much of the time. But then while struggling to get through a passage there will be a real gem or two thrown in of insight and 'poetry'. And, it does have me a bit curious, so I may skim through the rest of it just to see what happens, though that isn't really the point of the story as it's quite introspective.
Ndlaitha Ndlaitha
one of the best writers in English
Mavegelv Mavegelv
A dear friend loves this author and this book and feels that the writing is absolutely beautiful, like poetry. I found it to be absolutely tedious. I longed for a simple, straight-forward sentence. Every thing about this book annoyed me.
Agamaginn Agamaginn
The writing here is just beautiful. This is not a modern book and will not appeal to many modern readers. However, the tedious nature of the story, in which not much happens, can be overlooked by the beauty of the writing. The reader really feels the oppressive heat, the boredom of the characters, the presence of the ghost-of-sorts, Guy. I would have enjoyed this more had there been more action and some more info about the contents and path of the mysterious letters.