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eBook The Cinema of Attractions Reloaded (Film Culture in Transition) ePub

eBook The Cinema of Attractions Reloaded (Film Culture in Transition) ePub

by Wanda Strauven

  • ISBN: 9053569448
  • Category: Genre Fiction
  • Subcategory: Literature
  • Author: Wanda Strauven
  • Language: English
  • Publisher: Amsterdam University Press (October 9, 2006)
  • Pages: 464
  • ePub book: 1484 kb
  • Fb2 book: 1435 kb
  • Other: doc txt azw lit
  • Rating: 4.7
  • Votes: 249

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The Cinema of Attractions. has been added to your Cart. Wanda Strauven is assistant professor in the Department of Media Studies at the University of Amsterdam.

The Cinema of Attractions. Series: Film Culture in Transition.

The Cinema of Attractions Reloaded (Amsterdam University Press - Film Culture in Transition). Download (pdf, . 6 Mb) Donate Read. Epub FB2 mobi txt RTF. Converted file can differ from the original. If possible, download the file in its original format.

Series: Film Culture in Transition . Published by: Amsterdam University Press. Book Description: What have Lumière in common with Wachowski? More than one hundred years separate these two pairs of brothers who astonished, quite similarly, the film spectator of their respective time with special effects of movement: a train rushing into the audience and a bullet flying in slow motion.

Wanda Strauven teaches Film Theory and Media Archae- WANDA STRAUVEN ology at the University of Amsterdam. She is the author of Marinetti e il cinema: tra attrazione e sperimentazione (Udine: Campanotto, 2006)

Wanda Strauven teaches Film Theory and Media Archae- WANDA STRAUVEN ology at the University of Amsterdam. She is the author of Marinetti e il cinema: tra attrazione e sperimentazione (Udine: Campanotto, 2006). THE CINEMA OF ATTRACTIONS RELO ADED E D I T E D BY 9 7850 WANDA STRAUVEN ISBN-13 978-90-5356-945-0 ISBN-10 90-5356-945-6 Amsterdam University Press Amsterdam University Press WW. UP.

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What have Lumiere in common with Wachowski? More than one hundred years separate these two pairs of brothers who astonished, quite similarly, the film spectator of their respective time with special effects of movement: a train rushing into the audience and a bullet flying in slow motion. Do they belong to the same family of "cinema of attractions"? Twenty years ago Tom Gunning introduced the phrase "cinema of attractions" to define the essence of the earliest films made between 1895 and 1906

Start by marking The Cinema of Attractions Reloaded as Want to Read . The Cinema of Attractions Reloaded (Amsterdam University Press - Film Culture in Transition).

Start by marking The Cinema of Attractions Reloaded as Want to Read: Want to Read savin. ant to Read. Twenty years ago, noted film scholars Tom Gunning and André Gaudreault introduced the phrase cinema of attractions to describe the essential qualities of films made in the medium’s earliest days, those produced between 1895 and 1906. Now, The Cinema of Attractions Reloaded critically examines the term and its subsequent wide-ranging use in film studies.

Twenty years ago, noted film scholars Tom Gunning and André Gaudreault introduced the phrase cinema of attractions to describe the essential qualities of films made in the medium’s earliest days, those produced between 1895 and 1906.

Film Culture in Transition) or any other file from Books category .

Download The Cinema of Attractions Reloaded (Film Culture in Transition) or any other file from Books category. With essays by an impressive collection of international film scholars and featuring contributions by Gunning and Gaudreault as well The Cinema of Attractions Reloaded will be necessary reading for all scholars of early film and its continuing influence.

Wanda Strauven is assistant professor in the Department of Media Studies at the University of Amsterdam. extraordinary historical and theoretical productivity of the notion of "attractions. Ranging from articles associated with the earliest-and widely recognized as ons of the concept by Tom Gunning and Andr� Gaudreault to attempts to flesh out the implications of "attractions" for our understanding of the avant-garde, digital media, VR, and computer. games, this anthology is both an intellectual feast and a very precise record of a critical trajectory in recent film studies.

What have Lumière in common with Wachowski? More than one hundred years separate these two pairs of brothers who astonished, quite similarly, the film spectator of their respective time with special effects of movement: a train rushing into the audience and a bullet flying in slow motion. Do they belong to the same family of “cinema of attractions”? Twenty years ago Tom Gunning introduced the phrase “cinema of attractions” to define the essence of the earliest films made between 1895 and 1906. His term scored an immediate success, even outside the field of early cinema. The present anthology questions the attractiveness and usefulness of the term for both pre-classical and post-classical cinema. With contributions by the most prominent scholars of this discipline (such as Tom Gunning, André Gaudreault, Thomas Elsaesser, Charles Musser, Scott Bukatman and Vivian Sobchack) this volume offers a kaleidoscopic overview of an important historiographical debate.