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eBook Middlemarch (George Eliot) ePub

eBook Middlemarch (George Eliot) ePub

by A. O. J. Cockshut

  • ISBN: 0631977201
  • Subcategory: No category
  • Author: A. O. J. Cockshut
  • Language: English
  • Publisher: Barnes & Noble (1966)
  • Pages: 82
  • ePub book: 1784 kb
  • Fb2 book: 1130 kb
  • Other: mbr mobi rtf doc
  • Rating: 4.9
  • Votes: 927

Description

Middlemarch By George Eliot New York and Boston H. M. Caldwell Company Publishers To my dear Husband, George Henry Lewes, in this nineteenth year of ourblessed union.

Middlemarch By George Eliot New York and Boston H. H. Caldwell Company Publishers. To my dear Husband, George Henry Lewes, in this nineteenth year of ourblessed union. Book I. Chapter I chapter II chapter III chapter IV chapter V chapter vichapter VII chapter VIII chapter IX chapter X chapter XI chapter XII. Book II.

George Eliot: Middlemarch. Middlemarch (Fiction, 1872, 873 pages). This title is not on Your Bookshelf. 0, 10 books on shelf). 1. Chapter I. 2. Chapter II. 3. Chapter III. 4. Chapter IV.

George Eliot's Victorian masterpiece: a magnificent portrait of a provincial town and its inhabitants George Eliot's . Middlemarch displays George Eliot's clear-eyed yet humane understanding of characters caught up in the mysterious unfolding of self-knowledge.

George Eliot's Victorian masterpiece: a magnificent portrait of a provincial town and its inhabitants George Eliot's novel, Middlemarch: A Study of Provincial Life, explores a fictional nineteenth-century Midlands town in the midst of modern changes. The proposed Reform Bill promises political change; the building of railroads alters both the physical and cultural landscape; new scientific approaches to medicine incite public division; and scandal lurks behind respectability.

George Eliot's English Travels: Composite Characters and Coded Communications (Context An Genre in English Literature). Middlemarch a study of provincial life. Категория: Литература, Литературоведение. 1018 Kb. George Eliot and the British Empire (Cambridge Studies in Nineteenth-Century Literature and Culture). 822 Kb. Silas Marner (1885).

Middlemarch, A Study of Provincial Life is a novel by the English author George Eliot (Mary Anne Evans), appearing in eight instalments (volumes) in 1871 and 1872. Set in a fictitious Midlands town from 1829 to 1832, it follows distinct, intersecting stories with many characters. Issues include the status of women, the nature of marriage, idealism, self-interest, religion, hypocrisy, political reform, and education

George Eliot’s masterpiece, Middlemarch, appeared after the deaths of Thackeray (1863) and Dickens (1870). This is hardly an accident. Subtitled a study of provincial life, the novel has a didactic realism that’s a world away from Vanity Fair or Great Expectations.

George Eliot’s masterpiece, Middlemarch, appeared after the deaths of Thackeray (1863) and Dickens (1870). Subtitled a study of provincial life, the novel has a didactic realism that’s a world away from Vanity Fair or Great Expectations

This cathedral of words stands today as perhaps the greatest of the great Victorian novels, writes Robert McCrum.

This cathedral of words stands today as perhaps the greatest of the great Victorian novels, writes Robert McCrum. Middlemarch is one of those books that can exert an almost hypnotic power over its readers. Few other titles in this series will inspire quite the same intensity of response. When, for instance, in 1873, the poet Emily Dickinson referred to the novel, she wrote in a letter: "What do I think of Middlemarch? What do I think of glory – except that in a few instances 'this mortal has already put on immortality'

Book digitized by Google and uploaded to the Internet Archive by user tp.

Book digitized by Google and uploaded to the Internet Archive by user tp. Book from the collections of. Oxford University.

Middlemarch, Том 4. George Eliot. George Eliot was born Mary Ann Evans on a Warwickshire farm in England, where she spent almost all of her early life. She received a modest local education and was particularly influenced by one of her teachers, an extremely religious woman whom the novelist would later use as a model for various characters. Eliot read extensively, and was particularly drawn to the romantic poets and German literature.

George Eliot’s influential novel Middlemarch is, according to its subtitle, a study of provincial life. George Eliot’s real name was Mary Ann Evans

George Eliot’s influential novel Middlemarch is, according to its subtitle, a study of provincial life. At its center are the beautiful and inquisitive Dorothea Brooke and the ambitious young doctor Tertius Lydgate, who both have to abandon their idealist views when faced with the reality of daily life. George Eliot’s real name was Mary Ann Evans. She used a male pseudonym to avoid the prejudices against female writers as well as to disassociate her work from the scandal of her private life. Eliot modeled Middlemarch on the English town of Coventry, where she lived with her father after her mother’s death.

Dorothea Brooke is a thoughtful and idealistic young woman determined to make a difference with her life. Enamored of a man who she believes is setting this example, she traps herself into a loveless marriage.

Comments

Manona Manona
I read The Mill on the Floss by George Eliot when I was about 17 years old. I remember the experience because I almost literally could not put the book down. I read for 14 hours straight until I finished the book. I even remember cooking pork chops with one hand while holding the book in the other hand so that I could read while I cooked. I cannot tell you now what the book was about (that was almost 40 years ago), just that I loved it and devoured it, along with the pork chops:-). After reading Middlemarch, I plan to reread The Mill on the Floss and read all her other novels as well.

I loved Middlemarch, but I didn’t devour it. I chewed it slowly - the writing too beautiful to swallow whole. It grabbed me right from the start and I knew I was in for a sublime reading experience.

In many of the reviews I have read people have mentioned that Eliot’s narrative voice was not to their liking, finding it too didactic or distracting. I found her narrative to be one of the things I liked best. It was through this technique that most of the wisdom and life lessons were imparted. The narrative became another character for me, seamlessly blended with the rest of the characters.

“We mortals, men and women, devour many a disappointment between breakfast and dinner-time; keep back the tears and look a little pale about the lips, and in answer to inquiries say, "Oh, nothing!" Pride helps us; and pride is not a bad thing when it only urges us to hide our own hurts--not to hurt others."

Her ability to sum up a character in one beautifully written paragraph is remarkable.

In describing Mr. Casaubon, one of the main characters, Eliot writes. “It is an uneasy lot at best, to be what we call highly taught and yet not to enjoy: to be present at this great spectacle of life and never to be liberated from a small hungry shivering self-- never to be fully possessed by the glory we behold, never to have our consciousness rapturously transformed into the vividness of a thought, the ardor of a passion, the energy of an action, but always to be scholarly and uninspired, ambitious and timid, scrupulous and dim-sighted.”

In talking about another character, Dr. Lydgate, she says. “Only those who know the supremacy of the intellectual life-- the life which has a seed of ennobling thought and purpose within it-- can understand the grief of one who falls from that serene activity into the absorbing soul- wasting struggle with worldly annoyances.”

Her dry wit and humor are scattered throughout the book like sparkling gems.

“Miserliness is a capital quality to run in families; it's the safe side for madness to dip on”.

"He has got no good red blood in his body," said Sir James. "No. Somebody put a drop under a magnifying-glass and it was all semicolons and parentheses," said Mrs. Cadwallader.

"Oh, tallish, dark, clever--talks well--rather a prig, I think." "I never can make out what you mean by a prig," said Rosamond. "A fellow who wants to show that he has opinions." "Why, my dear, doctors must have opinions," said Mrs. Vincy. "What are they there for else?" "Yes, mother, the opinions they are paid for. But a prig is a fellow who is always making you a present of his opinions."

“But Duty has a trick of behaving unexpectedly--something like a heavy friend whom we have amiably asked to visit us, and who breaks his leg within our gates.”

Eliot is sympathetic to her characters, showing the good and bad in all, even the characters who would be despised if written by most authors. There is no black and white here, and yet the story is still compelling without the devise of writing purely lovable or despicable characters. We are shown what motivates the most hateful figures as well as those we are drawn to, and as a result there is no one in this book with whom you cannot empathize in some way. Her writing is infused with penetrating insights into human nature without ever losing compassion and understanding for their frailties. This empathy for her characters, perhaps more than anything else, differentiates her writing from Dickens and Austen.

I now look forward to reading all her other novels, starting with her first one, Adam Bede. It should be interesting to see her progression from first novel to last. I had very few preconceived notions about Middlemarch before I read it and maybe that helped me to enjoy it all the more, but enjoy it I certainly did!
Rrd Rrd
January 16, my birthday, I started Middlemarch by George Eliot (1871), a book I have wanted to read for fifty years. I finished it today, July 3.

Set in the fictitious Midlands town of Middlemarch during 1829–32, and widely considered the greatest of Victorian novels, this mighty work
has often been compared to Tolstoy's War and Peace due to it's immense cast, and it's historical precision. Additionally, however, it reminds me of Henry James's The Portrait of a Lady (1880) due to it's depth of psychological analysis of human nature in all its rhythms and shades. Some have called Middlemarch a novel without a hero, but in the end it is the town of Middlemarch itself, with all its dizzying array of foibles and follies, loves and slanders, gossip and redemption, tragedy and laughter, wealth and poverty, that fills the role. The author never ridicules, never mocks, but simply loves her people, every one, and after spending six months with them I will miss every one, even the monsters, but especially the disappointed.

Halfway through I discovered that Edward VII (1841-1910), Queen Victoria's eldest son, read Middlemarch annually from it's publication until his death, thirty-six years later. I can see why. Spanning eight books, and nearly a thousand ages, the author never falters.

A sample:

“Men outlive their love, but they don’t outlive the consequences of their recklessness.

"Every limit is a beginning as well as an ending. Who can quit young lives after being long in company with them, and not desire to know what befell them in their after-years? For the fragment of a life, however typical, is not the sample of an even web: promises may not be kept, and an ardent outset may be followed by declension; latent powers may find their long-waited opportunity; a past error may urge a grand retrieval. Marriage, which has been the bourne of so many narratives, is still a great beginning, as it was to Adam and Eve, who kept their honeymoon in Eden, but had their first little one among the thorns and thistles of the wilderness. It is still the beginning of the home epic--the gradual conquest or irremediable loss of that complete union which makes the advancing years a climax, and age the harvest of sweet memories in common. Some set out, like Crusaders of old, with a glorious equipment of hope and enthusiasm and get broken by the way, wanting patience with each other and the world."

And, finally, the last and most famous line in the book, “...for the growing good of the world is partly dependent on un-historic acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in un-visited tombs.”
Malann Malann
To give a masterpiece of world literature, which is what Middlemarch is, only five stars is to fail to acknowledge its greatness. Yes, it's a bit slow in the beginning; yes, it's long and written in a leisurely pace; yes, it's written in the English style of the 19th century, which is a far cry from modern prose. But in depth and precision of characterization, in its ability to penetrate to the core of human experience, and in its creation of a picture of an entire wold, there are few, if any books, that can match it. It is, indeed--as Virginia Wolf said--a novel for adults.
Many others have pointed out the particular beauties and wisdom of the novel better than I can, so let me point out a particular feature that Amazon offers that I have used. If you buy the Kindle version of this Oxford edition of Middlemarch you can, for an extra few dollars, also get the Audible version read by Juliet Stevenson. (The Audible version on its own is $55.) Also, the two versions sync together, so you can read a few chapters, and then switch over on your IPad or iPhone to Stevenson's reading, and then switch back whenever you wish. Stevenson's reading is legendary for a reason: she brings the book alive in a very powerful way, and is marvelous at communicating its meanings. I learned a lot from listening to her--especially in revealing the humor in the book, which I missed in my own reading. But I also wanted to read on my own as well. Amazon had made this now possible at a very reasonable price, and I heartily recommend it.