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eBook Music, Criticism, and the Challenge of History: Shaping Modern Musical Thought in Late Nineteenth Century Vienna (AMS Studies in Music) ePub

eBook Music, Criticism, and the Challenge of History: Shaping Modern Musical Thought in Late Nineteenth Century Vienna (AMS Studies in Music) ePub

by Kevin Karnes

  • ISBN: 0195368665
  • Category: Music
  • Subcategory: Photo and Art
  • Author: Kevin Karnes
  • Language: English
  • Publisher: Oxford University Press (August 22, 2008)
  • Pages: 240
  • ePub book: 1919 kb
  • Fb2 book: 1781 kb
  • Other: lit azw rtf docx
  • Rating: 4.1
  • Votes: 697

Description

AMS Studies in Music by Kevin C. Karnes For decades, musicologists have taken a long-term view of their . AMS Studies in Music by Kevin C. Karnes. Article in Music and Letters 91(3):436-438 · August 2010 with 9 Reads. How we measure 'reads'.

AMS Studies in Music by Kevin C. Karnes For decades, musicologists have taken a long-term view of their discipline's shortcomings and prejudices, tracing the blame back to their great nineteenth- and early twentieth-century precursors.

Kevin C. Karnes is Assistant Professor of Music History at Emory University.

Music, Criticism, and the Challenge of History makes a superb contribution in that it complicates and nuances the often monolithic view of a crucial formative period in the history of musicology. The result is a fascinating portrayal of musical thinkers pulled between the conflicting tidal forces of aesthetics and the natural laws of science, of Musikwissenschaft and Criticism, of empiricism and intuition. Kevin C.

This deep unity in Schenker's and Schoenberg's musical thought invites a reassessment of the opposed historical categories of tonal and post-tonal music, which have informed our perception of a fundamental conflict between their theories and limited our perception of commonality between their theories.

AMS Studies in Music Series. Oxford: Oxford University Press, 2008

AMS Studies in Music Series. Oxford: Oxford University Press, 2008. Throughout his book, Karnes does an admirable job of presenting the wide variety of nineteenth-century philosophical undercurrents that might have influenced these three authors. Yet this book's relevance is not limited to the nineteenth century, and the themes explored here should be intimately familiar to any musicologist today.

Karnes lays bare the nature of music study in the late nineteenth century through insightful readings of. .

Karnes lays bare the nature of music study in the late nineteenth century through insightful readings of long-overlooked contributions by three of musicology's foremost pioneers-Adler, Eduard Hanslick, and Heinrich Schenker.

Vienna (Ams Studies in Music) as Want to Read .

Vienna (Ams Studies in Music) as Want to Read: Want to Read savin. ant to Read. Karnes lays bare the nature of music study in the late nineteenth century through insightful readings of long-overlooked contributions by three of musicology's foremost pioneers-Adler, Eduard Hanslick, and Heinrich Schenker.

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Karnes lays bare the nature of music study in the late nineteenth century through insightful readings of long-overlooked contributions by three .

Karnes lays bare the nature of music study in the late nineteenth century through insightful readings of long-overlooked contributions by three of musicologys foremost pioneers-Adler, Eduard Hanslick, and Heinrich Schenker. Добавить похожую книгу.

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More than a century after Guido Adler's appointment to the first chair in musicology at the University of Vienna, Music, Criticism, and the Challenge of History provides a first look at the discipline in this earliest period, and at the ideological dilemmas and methodological anxieties that characterized it upon its institutionalization. Author Kevin Karnes contends that some of the most vital questions surrounding musicology's disciplinary identities today-the relationship between musicology and criticism, the role of the subject in analysis and the narration of history, and the responsibilities of the scholar to the listening public-originate in these conflicted and largely forgotten beginnings. Karnes lays bare the nature of music study in the late nineteenth century through insightful readings of long-overlooked contributions by three of musicology's foremost pioneers-Adler, Eduard Hanslick, and Heinrich Schenker. Shaped as much by the skeptical pronouncements of the likes of Nietzsche and Wagner as it was by progressivist ideologies of scientific positivism, the new discipline comprised an array of oft-contested and intensely personal visions of music study, its value, and its future. Karnes introduces readers to a Hanslick who rejected the call of positivist scholarship and dedicated himself to penning an avowedly subjective history of Viennese musical life. He argues that Schenker's analytical experiments had roots in a Wagner-inspired search for a critical alternative to Adler's style-obsessed scholarship. And he illuminates Adler's determined response to Nietzsche's warnings about the vitality of artistic and cultural life in an increasingly scientific age. Through sophisticated and meticulous presentation, Music, Criticism, and the Challenge of History demonstrates that the new discipline of musicology was inextricably tied in with the cultural discourse of its time.