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eBook Poetry and the Romantic Musical Aesthetic ePub

eBook Poetry and the Romantic Musical Aesthetic ePub

by James H. Donelan

  • ISBN: 0521887615
  • Category: Music
  • Subcategory: Photo and Art
  • Author: James H. Donelan
  • Language: English
  • Publisher: Cambridge University Press (March 24, 2008)
  • Pages: 236
  • ePub book: 1114 kb
  • Fb2 book: 1910 kb
  • Other: mobi txt azw lrf
  • Rating: 4.3
  • Votes: 414

Description

James H. Donelan describes how two poets, a philosopher and a composer – Hölderlin, Wordsworth, Hegel and Beethoven – developed an idea of self-consciousness based on music at the turn of the nineteenth century

James H. Donelan describes how two poets, a philosopher and a composer – Hölderlin, Wordsworth, Hegel and Beethoven – developed an idea of self-consciousness based on music at the turn of the nineteenth century. This idea became an enduring cultural belief: the understanding of music as an ideal representation of the autonomous creative mind.

James H. Donelan describes how two poets, a phil. Goodreads helps you keep track of books you want to read. Start by marking Poetry and the Romantic Musical Aesthetic as Want to Read

James H. Start by marking Poetry and the Romantic Musical Aesthetic as Want to Read: Want to Read savin. ant to Read.

Download books for free. Epub FB2 mobi txt RTF. Converted file can differ from the original. If possible, download the file in its original format. Donelan describes how two poets, a philosopher, and a composer - H?lderlin, Wordsworth, Hegel, and Beethoven - developed an idea of self-consciousness based on music at the turn of the nineteenth century

James H. Donelan describes how two poets, a philosopher, and a composer - H?lderlin, Wordsworth, Hegel, and Beethoven - developed an idea of self-consciousness based on music at the turn of the nineteenth century.

James H. Donelan describes how two poets, a philosopher, and a composer - Hölderlin, Wordsworth, Hegel, and Beethoven - developed an idea of self-consciousness based on music at the turn of the nineteenth century

James H. Donelan describes how two poets, a philosopher, and a composer - Hölderlin, Wordsworth, Hegel, and Beethoven - developed an idea of self-consciousness based on music at the turn of the nineteenth century. This idea became an enduring cultural belief: the understanding of music as an ideal representation of the autonomous creative mind

James Donelan’s book explores the relationship between music, philosophy, and poetry in the romantic period, and how these three entities converge around the notion of self-consciousness.

James Donelan’s book explores the relationship between music, philosophy, and poetry in the romantic period, and how these three entities converge around the notion of self-consciousness. The study is genuinely cross-disciplinary in that the author demonstrates his proficiency in philosophical, poetic, and musical discourse.

Автор: James H. Donelan Название: Poetry and the Romantic Musical Aesthetic Издательство .

Romantic poetry is the poetry of the Romantic era, an artistic, literary, musical and intellectual movement that originated in Europe toward the end of the 18th century. It involved a reaction against prevailing Enlightenment ideas of the 18th century, and lasted approximately from 1800 to 1850.

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Download PDF book format. Choose file format of this book to download: pdf chm txt rtf doc. Download this format book. Self-consciousness and music in the late enlightenment Ho?lderlin's Deutscher Gesang and the music of poetic self-consciousness Hegel's aesthetic theory : self-consciousness and musical material Nature, music, and the imagination in Wordsworth's poetry Beethoven and musical self-consciousness The persistence of sound. Rubrics: Music Philosophy and aesthetics Poetry Romanticism. Download now Poetry and the romantic musical aesthetic James H. Donelan. Download PDF book format.

James H. Donelan describes how two poets, a philosopher, and a composer - Hölderlin, Wordsworth, Hegel, and Beethoven - developed an idea of self-consciousness based on music at the turn of the nineteenth century. This idea became an enduring cultural belief: the understanding of music as an ideal representation of the autonomous creative mind. Against a background of political and cultural upheaval, these four major figures - all born in 1770 - developed this idea in both metaphorical and actual musical structures, thereby establishing both the theory and the practice of asserting self-identity in music. Beethoven still carries the image of the heroic composer today; this book describes how it originated in both his music and in how others responded to him. Bringing together the fields of philosophy, musicology, and literary criticism, Donelan shows how this development emerged from the complex changes in European cultural life taking place between 1795 and 1831.