Suspense and Obscurity
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Debord’s book is a legitimate book of pure philosophy.
Debord’s book is a legitimate book of pure philosophy. The only difference is that Debord’s book bears a connection and relevance to everyday life. It will change yours. That's how insidious & pervasive the society of the spectacle really is. We are everywhere faced with a shiny, trendy, relentlessly cheerful image designed to flatter & ensnare us in its meshes. None of us escapes it entirely. but the first steps are recognizing the lie of the image & reclaiming as much of our own reality as we can.
Contrary to popular misconceptions, Debord’s book is neither an ivory tower philosophical discourse nor a mere expression .
Contrary to popular misconceptions, Debord’s book is neither an ivory tower philosophical discourse nor a mere expression of protest . Contents: Preface by Ken Knabb 1. Separation Perfected 2. The Commodity as Spectacle 3. Unity and Division Within Appearances 4. The Proletariat as Subject and Representation 5. Time and History 6. Spectacular Time 7. Territorial Management 8. Negation and Consumption Within Culture 9. Ideology Materialized.
The Society of the Spectacle (French: La société du spectacle) is a 1967 work of philosophy and Marxist critical theory by Guy Debord, in which the author develops and presents the concept of the Spectacle
The Society of the Spectacle (French: La société du spectacle) is a 1967 work of philosophy and Marxist critical theory by Guy Debord, in which the author develops and presents the concept of the Spectacle. The book is considered a seminal text for the Situationist movement. The work is a series of 221 short theses in the form of aphorisms. Each thesis contains one paragraph.
This annotated translation by Ken Knabb, published in. .There have been several previous English translations of Debord's book. 3 The spectacle presents as society itself, as a part of society, and as a means ofunification.
Anyone may freely reproduce or adapt any or all of it. ISBN 978-39682-06-5 Library of Congress Control Number: 2013951566. I have gone through them all and have retained whatever seemed already to be adequate. In particular, I have adopted quite a few of Donald Nicholson-Smith's renderings, though I have diverged from him in many other cases.
The spectacle presents itself simultaneously as society itself, as a part of society, and as a means of unification. As a part of society, it is the focal point of all vision and all consciousness.
The translation was in fact done independently and was not authorized. The spectacle presents itself simultaneously as society itself, as a part of society, and as a means of unification.
Ken Knabb translation (Rebel Press, 2004; annotated e. Bureau of Public Secrets, 2014). Producers Ken Knabb (translator). More Guy Debord albums. Society of the Spectacle - 1977 Black & Red Translation. The Society of the Spectacle - 2002 Knabb translation Q&A.
Ken Knabb (born 1945) is an American writer, translator, and radical theorist, known for his translations of Guy Debord and the Situationist International. He is also a respected authority on the political significance of Kenneth Rexroth. To read this book, upload an EPUB or FB2 file to Bookmate.
A new translation by Donald Nicholson-Smith issued by Zone Books last year, however, may finally bring about some well-deserved recognition to the recently-deceased Debord. Debords intention was to provide a comprehensive critique of the social and political manifestations of modern forms of production, and the analysis he offered in 1967 is as authoritative now as it was then.
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